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An Analysis of the Poem "A London Fete"

By: Sharon White

The poem “A London Fete” is a harsh example of the differences between perception and actual reality. In order to explain this, the author uses the instance of a public hanging to express how contemptible people who are from the highest moral standards can conduct themselves.

In the case of "A London Fete", the moral
intelligence that is the cornerstone of any functioning society is
overthrown in order to provide a brief, yet intense, period of relief
from the long-term oppression of the class based order of the society
and its moral standards. For a long time, Britain was the most
powerful country in the world and London, as its center, was
considered an example of what progress and civilization should be.
However, the people that lived there were subject to a very specific
and narrow minded class system in which the wealthy were given all the
authority and privilege while the less fortunate were afforded little
opportunity to better themselves or their social standings. They were
subject to the whims and opinions of a relatively small group of
mostly white, protestant males. Any opinions or movement differing
from what this elite group considered worthy and acceptable was
quickly quashed. Oppression reigned within the lower classes and with
it dissatisfaction and unease grew and flourished. Public hangings,
such as the one depicted in "A London Fete" allowed these people some
release. The 'celebrations' often mirrored the feelings of the lower
classes. The helplessness of the doomed man reflected the helplessness
that the lower class people felt, locked within their social standing.
The desperate way in which they celebrated was representative of the
desperation they felt to improve their quality of life. Since it was
generally socially unacceptable to express these feelings, the
anonymity of the hanging provided an outlet for their social
oppression. Gathering en masse at an occasion like a hanging allows
the crowd a certain freedom in anonymity; behavior that would not be
tolerated from an individual becomes acceptable from the group at
large. "Group-think" is a common psychological phenomenon that occurs
when individual accountability and responsibility are suspended and a
more primitive social order takes over. Anonymity is in fact a common
theme through out the poem.

The poet, who is unknown in this instance, introduces the work with a
simple, yet vivid opening image. The title "A London Fete" is an
ironic metaphor and sets the reader up for a particular kind of
experience - joyous, jubilant, formal and celebratory - that never
materializes. The use of formal language in the title and the words
chosen bring to mind a picture of the most elite members of society
gathered together at a formal party. There would be ball gowns and
music, sumptuous food and wine served by a deferential and reserved
domestic staff. The use of London in the title implies sophistication,
superiority and the most modern version of civility that the time
period allows. One imagines the people that live there to be well
mannered and elegant, the very best of the best. During the nineteenth
century, London was the pinnacle of culture and refinement, and viewed
itself as an example for the rest of the world. Upon reading the poem,
the audience finds that the people described are not displaying the
cool sophistication that London was known for, but are instead
behaving almost savagely, reveling in the misfortune of one of their
own.

The reader swiftly realizes that in the scenario described, it is the
commoners who have attended this event, and have taken a desperate
delight in the terrible fate of the "honored guest" - a man who will
be hanged. Why is the audience - all uninvited, so enthusiastic about
the hanging? Perhaps they use it as a means to justify their own
general position within the classes to which they are 'doomed' -
better to be common than dead. Maybe it is only in the misfortune of
others that they can find a reason to be glad of their own lot in
life. Or could it be that they are so oppressed by the upper classes
that their rage and frustration break through in the safest venue
possible, a moment when indignant outrage at the offences of another
is the seemingly appropriate response?

Another element of irony surfaces when the reader understands the
crowd is mainly comprised of the lower classes; in the time of history
described it is possible that there were many public hangings, but
they were seldom attended by the members of the upper class. High
society took great pains to remove themselves from the vestiges of the
common man, mortality included. They may have ordered a death, but the
people born to serve them would carry out every aspect of it. In that
sense only would this has been a “London” party. It was likely
ordered by men of the upper classes, but only witnessed by the poor
and desperate. The broad social questions raised by the poem are
hinted at in the simply stated paradox of the title.

I found this to be a difficult and yet interesting assignment.
Difficult in that I had not been asked to critique a poem since high
school and had to refresh my memory on just what I should be looking
for. It was interesting because I often take literature at its face
value, especially when reading strictly for pleasure. It was fun to
"look a little deeper" at a poem, and to speculate about what the
author may have intended for it to say. It was also interesting
because the author was not given. This allowed me to draw my own
conclusions about the piece without taking into consideration any of
the biases created by age, gender, era, etc. Overall, I was often
quite challenged but enjoyed th2e experience.

Article Source: http://www.articlewheel.com

The article was produced by the writer of masterpapers.com. Sharon White is a senior writer and writers’ consultant in UK dissertation writing. Get some useful tips for Dissertation service and title page for research

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